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Canadian Historic Sites: Occasional Papers in Archaeology and History No. 24
Second Empire Style in Canadian Architecture
by Christina Cameron and Janet Wright
Second Empire for Canadian Houses
To explain why in the late 1870s Second Empire suddenly became
fashionable for domestic building, one automatically encounters the
difficult problem of documenting popular taste. It would be facile to
contribute this rising popularity to the influence of American pattern
books discussed earlier. Although the connection is obviously valid, as
is witnessed by a New York State pattern book which published a design
for a Second Empire villa to be erected in Montreal (Fig. 66), access to
such specialized publications was probably limited. On the other hand,
weekly magazines like the Canadian Illustrated News and its
French counterpart L'Opinion publique appealed to a more
generalized readership. Published from 1869 to 1883, these magazines
usually illustrated newly erected buildings in Canadian cities, many of
which drew on the Second Empire style. It is interesting to compare the
Canadian Illustrated News, directed toward a fashion-conscious
urban readership, with Canadian periodicals aimed at the rural
population, such as the Canada Farmer and the Farmer's
Advocate. The latter invariably presented house types of austere
simplicity, with no hint of Second Empire detail.
Although American pattern books and Canadian publications like the
Canadian Illustrated News certainly helped to develop a taste for
Second Empire, the physical presence of public and commercial buildings
in this new style undoubtedly played a significant role in popularizing
the fashion. The intangible qualities embodied by these large
structures, such as stability, wealth, progress, power, and so forth,
were desirable associations for aspiring gentlemen.
How is one to characterize the influence of Second Empire in Canadian
houses? Perhaps the keyword is moderation. It is rare to find in the
domestic sphere the sumptuous detail used in high-style public
buildings. Reference to Second Empire sources is often manifested by the
use of the mansard roof and vaguely Italianate details, which become
vaguer as one moves away from the sophisticated urban centres. In its
most simple form, the influence is reduced to the use of the mansard
roof on otherwise plain structures or on dwellings whose main stylistic
roofs lie elsewhere.
The computerized information of the Canadian Inventory of Historic
Building has proved invaluable in plotting certain general trends in
domestic architecture. It has, for example, confirmed the hypothesis
that this style is essentially urban; most Second Empire buildings
recorded by the Canadian Inventory of Historic Building are located in
cities and towns. Moreover, the computer has allowed us to trace
regional variations that inevitably occur when a high style encounters
local building traditions. For example, computer printouts readily
verify that the predominant construction material changes from region to
region; wood in the Atlantic Provinces, stone in Quebec, and brick in
Ontario and Manitoba.
The geographical distribution is another element that emerges from an
examination of the printouts. Buildings with Second Empire influence are
numerous in the Atlantic Provinces, Quebec, Ontario and Winnipeg, but
become extremely scarce west of Winnipeg. In spite of an early
impression, based on preliminary research, that Second Empire influence
was weak in Quebec and strong in Ontario, the cross-Canada printout of
approximately four thousand residential buildings with Second Empire
influence indicated that over half of these dwellings were in Quebec and
less than one quarter were in Ontario. While this anomaly is partially
attributable to sample size, the explanation rests primarily with the
question of interpretation of "Second Empire influence." For the purpose
of this study, the interpretation was made deliberately broad, in order
to trace the influence to its ultimate vernacular expression. Hence, the
many plain mansard-roofed cottages that dot the shores of the Saint
Lawrence River inflate the number of Second Empire buildings in Quebec;
on the other hand, though smaller in numbers, the Ontario examples are
generally more elaborate in design and depend more directly on Second
Empire prototypes.
In examining domestic architecture region by region, we have
attempted to choose representatives or typical examples to reflect the
variety found in the survey of the Canadian Inventory of Historic
Building. That some of the simpler examples are not outstanding in terms
of design may surprise the reader. Yet they represent the majority of
houses recorded by the Canadian Inventory of Historic Building and may
perhaps be considered a fairer reflection of the influence of Second
Empire style as manifested at the vernacular or popular level.
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